“Dynamic” (score by Deborah Hay)

Beginning again: Dear friends, As you might know, I have been working on an adaptation of Deborah Hay’s solo score “Dynamic” since September 2012. I completed my 9 months of daily practice over the summer. But that practice isn’t an

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“Dynamic” (score by Deborah Hay)

Beginning again: Dear friends, As you might know, I have been working on an adaptation of Deborah Hay’s solo score “Dynamic” since September 2012. I completed my 9 months of daily practice over the summer. But that practice isn’t an

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orbits (w/ Christian Schröder)

    studies for a choreographic camera collaboration with christian schroeder (http://cschroeder.tumblr.com/)              

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orbits (w/ Christian Schröder)

    studies for a choreographic camera collaboration with christian schroeder (http://cschroeder.tumblr.com/)              

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“resonance” (w/ Martín Lanz Landázuri & William “Bilwa” Costa)

    Score & performance: William “Bilwa” Costa, Martín Lanz Landázuri, & Emily Sweeney Austrian Cultural Forum Moving Sounds Festival September 22, 2013 Littlefields, Brooklyn resonance explores figurative, physical, and mechanical phenomena related to resonance. The resonance score has emerged through the repeated

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“resonance” (w/ Martín Lanz Landázuri & William “Bilwa” Costa)

    Score & performance: William “Bilwa” Costa, Martín Lanz Landázuri, & Emily Sweeney Austrian Cultural Forum Moving Sounds Festival September 22, 2013 Littlefields, Brooklyn resonance explores figurative, physical, and mechanical phenomena related to resonance. The resonance score has emerged through the repeated

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presence absence (w/ Jil Stifel)

  traces of absence, traces of presence from Emily Sweeney on Vimeo.   Video score: Emily Sweeney Performance & staging: Jil Stifel September 21, 2013 LightLab Series, Woodstreet Galleries, Pittsburgh “Sweeney created a video score that Stifel then worked on

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presence absence (w/ Jil Stifel)

  traces of absence, traces of presence from Emily Sweeney on Vimeo.   Video score: Emily Sweeney Performance & staging: Jil Stifel September 21, 2013 LightLab Series, Woodstreet Galleries, Pittsburgh “Sweeney created a video score that Stifel then worked on

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Imaginary is also real (w/ Jil Stifel)

a collaboration with Jil Stifel Our selves are porous. We take behaviors from one another, and occasionally memories, rituals, or desires. We create representations of ourselves that float free from our bodies. We tend to see ourselves in others. I

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Imaginary is also real (w/ Jil Stifel)

a collaboration with Jil Stifel Our selves are porous. We take behaviors from one another, and occasionally memories, rituals, or desires. We create representations of ourselves that float free from our bodies. We tend to see ourselves in others. I

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SCORE

  SCORE Score & performance: William “Bilwa” Costa & Emily Sweeney ONE (1) A performance of WINDOWS SCORE This score was extracted from the space where we rehearsed for today’s performances. You can find a copy of the score in

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SCORE

  SCORE Score & performance: William “Bilwa” Costa & Emily Sweeney ONE (1) A performance of WINDOWS SCORE This score was extracted from the space where we rehearsed for today’s performances. You can find a copy of the score in

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how we deviate with (w/ Mariella Greil)

A dialogue between Emily Sweeney and Mariella Greil In the dialogue project How We Deviate With we will dance, talk and write about issues of relationality, choreographic practice and performance, and the immanent potentials inherent in these. We are both

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how we deviate with (w/ Mariella Greil)

A dialogue between Emily Sweeney and Mariella Greil In the dialogue project How We Deviate With we will dance, talk and write about issues of relationality, choreographic practice and performance, and the immanent potentials inherent in these. We are both

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either/or, or and (w/ Mariella Greil)

„entweder oder oder und“ (either/or, or and) Dance: Mariella Greil + Emily Sweeney Live electronics: Werner Moebius Violoncello, voice, analogue electronics: Audrey Chen Performed at Theater Akzent in Vienna as part of the European Rhythmics Congress October 5, 2009  

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either/or, or and (w/ Mariella Greil)

„entweder oder oder und“ (either/or, or and) Dance: Mariella Greil + Emily Sweeney Live electronics: Werner Moebius Violoncello, voice, analogue electronics: Audrey Chen Performed at Theater Akzent in Vienna as part of the European Rhythmics Congress October 5, 2009  

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drops will flood (w/ William “Bilwa” Costa)

  Concept + performance: Emily Sweeney Visual design/installation: Emily Sweeney + Bilwa Sound: Bilwa Presented in the Wasserturm Favoriten Wien as part of fluten WORK:SPACE September 25, 2009 WORK:SPACE for artists working in various media 13. – 26.09.2009, Wasserturm Favoriten,

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drops will flood (w/ William “Bilwa” Costa)

  Concept + performance: Emily Sweeney Visual design/installation: Emily Sweeney + Bilwa Sound: Bilwa Presented in the Wasserturm Favoriten Wien as part of fluten WORK:SPACE September 25, 2009 WORK:SPACE for artists working in various media 13. – 26.09.2009, Wasserturm Favoriten,

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Untitled (w/ William “Bilwa” Costa)

  Concept & performance: Emily Sweeney Sound & set: William “Bilwa” Costa November 8, 2008 Meetinghouse Theatre, Community Education Center, Philadelphia              

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Untitled (w/ William “Bilwa” Costa)

  Concept & performance: Emily Sweeney Sound & set: William “Bilwa” Costa November 8, 2008 Meetinghouse Theatre, Community Education Center, Philadelphia              

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